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ABOUT THE FILM
The film straddles two traumatic events in recent Indian history:
the 1984 anti-Sikh carnage following the assassination of Prime
Minister Indira Gandhi and the anti Muslim riots in Gujarat in 2002.
But it does not frontally engage with either. The film essentially
deals with the dilemma of identity in a multicultural society that,
every so often, turns volatile. Many aspects of the highly charged
contemporary discourse find resonances in the film: the religious
divide, the tyranny of the majority, the issue of religious conversions,
the alienation of tribals from their hereditary land .
Through all this the abiding theme is faith in humanness and the
humaneness of faith. There is, too, an undercurrent of self-reflexivity
about contemporary media. The journalistic 'story' transfigures
the story on which the film is based into a non-linear experience
that is poised between a docu-feature and a celluloid fable. Categories
of filmic genres are blurred as the frames lend themselves to multiple
readings.
For more information about the film, see www.kayataran.com.
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DIRECTOR'S NOTE
What happened to thousands of Sikhs, particularly in the capital,
in the wake of the assassination of Mrs. Indira Gandhi in 1984 sits
uneasy on our national conscience. It is a deep and still-festering
wound on the collective psyche of this proud race. It has always
struck me as peculiar that even so many years after that carnage
we have not looked it squarely in the eye, politically, socially
or culturally. There is an unnatural sense of ellipsis in the way
we tackle it even when it figures in our social discourse. But the
film is not so much a look back in anger as in search of answers.
It does not attempt to frontally depict the violence or the killings-
any such approach would, I think, be self-defeating. Nor is it a
passionate or bleeding-heart engagement with the situation. It seeks
to contexualise the violence of '84 with that in 2002 in Gujarat
and see these as symptomatic of a deeper and more insidious challenge
- a challenge from within - to our multi-culturalism.
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ABOUT THE FILMMAKER
Film maker & Chairman, Media Development Foundation & Asian College
of Journalism, Chennai, India.
Sashi Kumar has been an important, energetic, and engaged player
in the world of media for over two decades in Chennai, India.
In the late seventies he was among the earliest Newscasters in
English on Doordarshan, India's national TV network and, over the
next decade, became a familiar face in TV households in India as
news and current affairs anchor, film critic and producer and director
of topical features on television. Among the weekly programmes he
authored and presented were Money Matters, the first independent
programme on the economy on Indian television; Tana Bana , a cultural
feature; and Jan Manch, an interactive forum between Ministers in
the government and a cross section of society. He has been the principal
anchor of international conventions like the Commonwealth Heads
of State meet in Bangalore, The Nonaligned summit in Delhi and the
International Film Festivals of India for several years.
The numerous short films and docu-features he scripted and directed,
which were telecast on national television, bore his distinctive
stamp of originality, investigative rigour and critical candour
and there were, almost always, brushes and tension with the authorities
in airing them. During the mid eighties he focused his critical
and creative energy on a series of documentaries on international
issues that were path-breaking because they provided an original
and alternative perspective (as against the routine western view)
to the troubled spots of the world. He traveled extensively to make
these features, visiting the Soviet Union several times during the
dismantling phase of 'glasnost' and 'perestroika'; East Germany
(GDR) just before the collapse of the Berlin Wall; Romania in the
immediate wake of the fall of Nicolae Ceausescu; several countries
in eastern Europe to get a feel at first hand of the collapse of
communism in that part of the world; several states in Europe and
the USA for a mega feature on Disarmament and Development. He also
produced a number of special features on the issues affecting South
Asia covering Sri Lanka, Afghanistan, the Maldives. Most of these
docu-features combined descriptive or illustrative visual footage
with incisive and analytical interviews with the key players in
each situation, and were telecast as a many-part series. He was
considered something of television's Sri Lanka expert during the
height of the fractious war on the island and the phase of the IPKF
intervention.
As founder President of Asianet : In the late 80s, he launched
Asianet, India's first satellite TV channel in the regional language,
in late 1992. Telecasting in Malayalm, the channel was targeted
at Kerala and the large diaspora of Malayalees in the rest of India
and the Gulf states. Simultaneously he also launched Asianet Satcom,
a cable company in Kerala that took up state-wide cabling using
the electricity poles. Both these were pioneering steps in the evolution
of independent Satellite TV and Cable in India. The Asianet channel
set new trends and standards in intelligent and wholesome programming
that resisted the innate tendency of the medium to dumb down. Asianet
Satcom was the first state-wide cable system in India.
As founder Chairman of Media Development Foundation & Asian College
of Journalism : In 1999 Sashi Kumar founded the Media Development
Foundation as a nonprofit public Trust dedicated to excellence in
journalism education and best practices in the profession. He set
up the Asian College of Journalism in Chennai. The college has already
acquired the stature of the premier institution of journalism education
in this part of the world attracting the best students seeking to
study journalism from across India and other countries in south
Asia, and forging links with some of the best in the field like
the BBC, the Columbia School of Journalism in New York, and Cardiff
and Westminster in the UK.
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