"BROWN GIRLS" follows the lives of Leila, a South Asian writer in the midst of navigating and owning her queerness, and her friend Patricia, who struggles to find meaning financially, romantically and creatively.
A moving and bittersweet drama that gracefully captures societal customs in India surrounding death and family, and is based on real hotels that administer such services.
A moving and bittersweet drama that gracefully captures societal customs in India surrounding death and family, and is based on real hotels that administer such services.
A moving homage to the bygone era of celluloid, "The Cinema Travellers" captures the splendor of the moving image through India’s traveling movie caravans.
A Conversation with Shah Rukh Khan and screening of his film "My Name is Khan."
3rd i co-presents two films at BAMPFA: "Kalpana," an experimental drama from 1948, and "Celluloid Man," a portrait of a film preservationist.
3rd i co-presents two films at BAMPFA: "Kalpana," an experimental drama from 1948, and "Celluloid Man," a portrait of a film preservationist.
3rd i co-presents at QWOCMAP’s 13th annual Queer Women of Color Film Festival.
3rd i is proud to co-present three films at Frameline 41: "Abu," "IRL Unbound," and "Signature Move."
"Little Stones" profiles four women, each of whom are contributing a stone to the mosaic of the women's movement through their art.
The Hate Man, Street Philosopher is a quirky, entertaining and moving portrait of a Berkeley street philosopher. Free outdoor screening.
"Amit Dutta’s Cinematic Museum" is a series of films by the director/artist exploring the visual arts of India.
An intricately mosaicked portrait of nonagenarian artist Ram Kumar.
Dutta painstakingly recreates the eighteenth-century artist Nainsukh’s brilliant miniature paintings through sumptuous compositions set amid palace ruins.
A film about contemporary landscape painter Paramjit Singh.
Three shorts studying the 18th-century Indian artist Nainsukh.
Dutta’s magical new film follows an eighth-century architect across the lower Himalayas in search of a temple site.
This evening of neo-benshi performances will consist of screening several film clips re-narrated live for the audience.
This moving portrait of a Berkeley street philosopher explores the Hate Man’s enigmatic life, including why, thirty years ago, he chose to quit his job as a successful New York Times journalist, drop out of mainstream society and live in the streets. Challenging conventional notions of success, conformity, progress and morality, 'Hate' lucidly discusses and defends his own 'downward mobility' and personal theories of human communication among countless other issues.
Capitalism has been the engine of unprecedented economic growth and social transformation. With the fall of the communist states and the triumph of “neo- liberalism,” capitalism is by far the […]
